A daughter of Judith's 1st cousin, Epes Sargent, and Dorcas Babson Sargent. Her sister was Henrietta.
Granddaughter of Epes (1721), Judith's uncle. Married John Dixwell who was a physician in Boston - Father, Epes (1748) Gloucester, was engaged in shipping trades and served as a delegate to the Convention for forming the State Constitution (1779)
is noted for his beautifully detailed faces. An example are the lovely highlights and shadows of Henrietta Sargent portrait.
Daughter of Capt James Babson, Married Epes Sargent IV (1748-1822), Henrietta was her daughter, as was Dorcas V.
Dorcas was the wife of Epes Sargent (1748-1822). She was a direct descendant of Isabel Babson, believed to be Cape Ann's first midwife (1630s)
AKA Epes VI. An editor, poet and playwright.
The artist drowned when his ship wrecked off the coast. This silhouette washed ashore with the wreckage, was found some months later in an Essex farmhouse bought and taken New York where it was sold to descendants of sitter.
was the daughter of George Washington Sargent. Her first marriage was to Henry Postlethwaite Duncan, son of Stephen Duncan, a Mississippi planter and Catherine Bingaman (Julia Maria Sargent married into this family) of Natchez. Hence she was known as Mary Sargent Duncan at one time. Her second husband was George Parish, a Hamburg merchant, who carried on his business in the US for many years. When George died, Mary lived in his large country place in Senftenberg, Bohemia. There were no children.
was the daughter of George Washington Sargent. Her first marriage was to Henry Postlethwaite Duncan, son of Stephen Duncan, a Mississippi planter and Catherine Bingaman (Julia Maria Sargent married into this family) of Natchez. Hence she was known as Mary Sargent Duncan at one time. Her second husband was George Parish, a Hamburg merchant, who carried on his business in the US for many years. When George died, Mary lived in his large country place in Senftenberg, Bohemia. There were no children.
Samuel was the son of Frederick & Abigail Somes Gilman and was born in the house. He attended Harvard and wrote Fair Harvard. Soon after Samuel's father died, the family sold the house to Benjamin Hough in 1801. Gilman moved to Charleston S.C. in 1819 and was Unitarian minister for 40 years at the Archdale Street Unitarian Church. When the House was being restored in 1917 the SMG founders approached Harvard in an attempt to raise money to save the house in recognition of Gilman and the contemporary Sargent alums.
Mimi Braverman think it may have been painted in Charlestown by Sully
Karen Quinn,Art historian/curator, formerly MFA: toured SHM & examined portraits. She spoke well of Fisher noting that he is currently underated as an artist. He is very well thought of as a local artist and really important for his landscapes.
Caroline was born and educated in Boston by her sister who raised her after her parents died. She met Samuel Gilman while he was at Harvard. They married in 1819 in Cambridge and then moved to Charleston SC. Caroline became one of the most popular women writers of the 1st half of the 1800s. Samuel was supportive of her writing but had reservations about women who chose "to move on the agitating theatre of public life". Caroline wrote about slavery in two books: Recollections of a Housekeeper and Recollections of a Southern Matron.
Lane was a contemporary of the Houghs and a member of the Lyceum group which became the Sawyer Library.
Lane was a contemporary of the Houghs and a member of the Lyceum group which became the Sawyer Library.
Lithograph printed by Pendleton Lithography. One of a series done between 1836-1847.
is noted for his beautifully detailed faces. An example are the lovely highlights and shadows of Henrietta Sargent portrait.
A physician who practiced in Boston. He married Esther Sargent in 1805.
Married Esther Sargent in 1805,
was often visited by Judith in Boston.
As a young man, he was placed in the Gloucester store of merchant David Plumer to learn the ins and outs of the mercantile business; shortly thereafter Hough moved to the counting-rooms of Winthrop Sargent, Judith's father, who was engaged in trade with the West Indies. Hough remained in the employment of Sargent until he struck out on his own in about 1790. He bought the house in 1801 from Gilman's widow. He was married on January 12, 1791 to Elizabeth Plumer, the daughter of David Plumer, who had instructed young Hough in the ways of business. The marriage was performed by Reverend John Murray. Elizabeth died five years later at the age of thirty, childless, and Hough remarried in 1801 to Lucy Sayward Foster, the widow of Colonel Thomas Foster. He served as an Officer of the Gloucester Bank for 35 years and as its President for 5. He was the Treasurer of the Church for 40 years and a founder of the Gloucester Lyceum.
Possibly modeled from a daguerrotype
A daughter of Judith's 1st cousin, Epes Sargent, and Dorcas Babson Sargent. Her sister was Henrietta.
This drawing may have done when Frothingham painted her husband in 1817, when she was 41.
Creamware Footbath: Creamware was before Pearlware
WIne decanter with gilt decoration.
This Boston design represents a transition from Queen Anne to Chippendale. Two front cabriole legs terminate in pad feet. Pierced vasiform splat (chair back) surmounted by a bowed-shaped cresting rail with carved ears.
Benjamin K Hough, Sr was original owner of chair. Front cabriole legs, ball and claw feet, square seat frame, bow shaped cresting rail.
The top of this Tilt-top Tea Table is cut from a single piece of wood. The base of column cracked, but was stabilized in 2017. The table with pedestal is supported by 3 outcurved legs, with top hinged to tilt to the perpendicular.
Described by Albert Sack as "an exceptional piece of furniture, an example of outstanding individual creations of American Craftsmanship." Note the fine inlay on the spade feet.
This table has replacement top and feet. Sargent family donation
Pie crust top, tip and turn, with birdcage mount, and pad feet. This piece is considered to be among examples of exceptional pieces of furniture that are outstanding individual creations of American craftsmanship. Piecrust: Circular top with raised carved rim. Birdcage: double block construction by which a tilt top table may both tilt and rotate. Pad feet: plain slightly curved foot that terminates the cabriole leg. Vasiform baluster: resembles a vase
cabriole legs, pad feet, broken arch pediment (top) with central flame carved finial; matches the highboy
cabriole legs, broken arch pediment with central flame carved panel, arched skirt with flame finials; Repairs made and finial is not original.
Mahogany with pine and maple secondary. Cabriole legs, pad feet, serpentine scroll skirt
reverse serpentine front,with 2 frontal cabriole legs terminating in ball and claw feet; possibly made in Newburyport.
The looking glass is in two parts because a single piece was unavailable at that time.
These chairs and the 6 in the best parlor are described as Boston Chippendale. Both sets are considered very fine chairs. Originally owned by Abraham Sawyer, an early supporter of John Murray. Sawyers portrait hangs in the Murray room.
Original to house. re-upholstered in 1975, but not correctly: wings are scant and do not copy original form; edge roll of seat platform is too thick; chair loses sense of flowing forms that original most likely would have had.
Bilbao mirror: Called Bilbao after the Spanish port on the Bay of Biscay. Gloucester merchants carried on an extensive trade with the port for many, many years.
part of the group of furniture belonging to Winthrop Sargent from his home, "Gloucester", in Natchez MS. Carvings include a Surveyors emblem; Sargent was a Surveyor.
Bow-front with 2 frontal inlaid French feet. Original brasses. A fine piece in remarkably untouched condition. (beaded top of drawer sides)
carved with thistle motif; Six carved and scrolled legs; Replacement caned seat. Brought from a Scottish castle to Gloucester prior to the Revolution. Likely to have been built as a Settle with arms and high chair backs. Belonged to Colonel William Pearce
Originally owned by Col. Pearce whose portrait hangs in the Murray Room. Col. Pearce donated his farm to the Universalist Church for their church site. Epes Sargent donated another piece of land for the church.
fitted with steel and Sheffield silver accoutrements
Not Judith's real writing desk.
Drop leaf table with four heavily turned and rope carved legs.
Belonged to the Kimball Family in Ipswich MA and Gloucester.
Candlewick type woven and tufted with star and pine tree motif. Tradition holds spread was made by Lucy Foster Rogers who lived in the House using flax which was captured on an English ship during the War of 1812 by on of Samuel Rogers’ privateers.
Bible case with label: The property of Epes Sargent of Gloucester, July 21, 1779
Mary Sargent's copy. Judith's copy is also in the collection.