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oid0003: Dixwell, Esther Sargent, portrait of (1776-1865)   1/2 length
Dixwell, Esther Sargent (1776-1855)
first cousin once removed, via Epes & Dorcas Sargent
oil on wood panel
by Alexander, Francis (1800-1880) in 1825

Subject

A daughter of Judith's 1st cousin, Epes Sargent, and Dorcas Babson Sargent. Her sister was Henrietta.



Granddaughter of Epes (1721), Judith's uncle. Married John Dixwell who was a physician in Boston - Father, Epes (1748) Gloucester, was engaged in shipping trades and served as a delegate to the Convention for forming the State Constitution (1779)



Donated by Brewer, Arthur or Nina Owen loan in 1956? in 1956

oid0003
oid0004: Sargent, Dorcas Babson (1749-1836). Portrait of; half length.
Sargent, Dorcas Babson (1749-1836)
first cousin's spouse
oil on canvas
by Frothingham, James (1786-1864) in circa 1817
Creator

is noted for his beautifully detailed faces. An example are the lovely highlights and shadows of Henrietta Sargent portrait.



Subject

Daughter of Capt James Babson, Married Epes Sargent IV (1748-1822), Henrietta was her daughter, as was Dorcas V.



Dorcas was the wife of Epes Sargent (1748-1822). She was a direct descendant of Isabel Babson, believed to be Cape Ann's first midwife (1630s)



Donated by Mathews,Georgiana Babson in Unknown

oid0004
oid0007_09: Sargent, Epes VI -(1813-1880)  Silhouette.  Full length. Label: "Epes Sargent Editor NYk Mirror 7th Sept. 1839" married Elizabeth Weld
Sargent, Epes (1813-1880)
paper
by Edouart, Auguste (1789-1861) in 1839

Subject

AKA Epes VI. An editor, poet and playwright.



The artist drowned when his ship wrecked off the coast. This silhouette washed ashore with the wreckage, was found some months later in an Essex farmhouse bought and taken New York where it was sold to descendants of sitter.



Donated by Sargent, Henrietta (Mrs.Guy Lowell) in 1941

oid0007_09
oid0011: Parish, Mary Sargent (1829-1912); equestrian bronze.
Parish, Mary Sargent (1829-1912)
Grandniece: Daughter of George Washington Sargent, son of Gov. Winthrop Sargent
Bronze
by Mene, Pierre-Jules (1810-1879) in unknown year

Subject

was the daughter of George Washington Sargent. Her first marriage was to Henry Postlethwaite Duncan, son of Stephen Duncan, a Mississippi planter and Catherine Bingaman (Julia Maria Sargent married into this family) of Natchez. Hence she was known as Mary Sargent Duncan at one time. Her second husband was George Parish, a Hamburg merchant, who carried on his business in the US for many years. When George died, Mary lived in his large country place in Senftenberg, Bohemia. There were no children.



Donated by Lowell, Henrietta Sargent: she was a daughter of Charles Sprague Sargent in 1941

oid0011
oid0014: Parish, Mary Sargent (1829-1912); marble bust
Parish, Mary Sargent (1829-1912)
Grandniece: Daughter of George Washington Sargent, son of Gov. Winthrop Sargent
marble
by Powers, Hiram (1805-1873) (attributed to) in unknown year

Subject

was the daughter of George Washington Sargent. Her first marriage was to Henry Postlethwaite Duncan, son of Stephen Duncan, a Mississippi planter and Catherine Bingaman (Julia Maria Sargent married into this family) of Natchez. Hence she was known as Mary Sargent Duncan at one time. Her second husband was George Parish, a Hamburg merchant, who carried on his business in the US for many years. When George died, Mary lived in his large country place in Senftenberg, Bohemia. There were no children.



Donated by Longcope, Mrs. Janet 1886-1974 in 1946

oid0014
oid0038: Gilman, Rev. Samuel (1791-1858), portrait of.  Half length; oval frame.
Gilman, Rev. Samuel (1791-1858)
oil on canvas
by Sully, Thomas (1783-1872) in berween 1815-1825

Subject

Samuel was the son of Frederick & Abigail Somes Gilman and was born in the house. He attended Harvard and wrote Fair Harvard. Soon after Samuel's father died, the family sold the house to Benjamin Hough in 1801. Gilman moved to Charleston S.C. in 1819 and was Unitarian minister for 40 years at the Archdale Street Unitarian Church. When the House was being restored in 1917 the SMG founders approached Harvard in an attempt to raise money to save the house in recognition of Gilman and the contemporary Sargent alums.



Mimi Braverman think it may have been painted in Charlestown by Sully



Donated by Bowen, M/M Samuel Gilman in 1922

oid0038
oid0042: Gilman, Caroline Howard (1794-1888),  portrait of.  Oval.  (Wife of Rev. Samuel Gilman)
Gilman, Caroline Howard (1794-1888)
oil on canvas
by Fisher, Alvan (1792-1863) in unknown year
Creator

Karen Quinn,Art historian/curator, formerly MFA: toured SHM & examined portraits. She spoke well of Fisher noting that he is currently underated as an artist. He is very well thought of as a local artist and really important for his landscapes.



Subject

Caroline was born and educated in Boston by her sister who raised her after her parents died. She met Samuel Gilman while he was at Harvard. They married in 1819 in Cambridge and then moved to Charleston SC. Caroline became one of the most popular women writers of the 1st half of the 1800s. Samuel was supportive of her writing but had reservations about women who chose "to move on the agitating theatre of public life". Caroline wrote about slavery in two books: Recollections of a Housekeeper and Recollections of a Southern Matron.



Donated by Unknown(perhaps Gilman/Bowen family in c.1920s

oid0042
oid0052: View of Gloucester (From Rocky Neck)      Lithograph by Fitz Hugh Lane.  Lane & Scott's Lithography.
View of Gloucester (From Rocky Neck)
Lithograph on paper
by Lane, Fitz Henry (1804-1865) in circa 1845
Creator

Lane was a contemporary of the Houghs and a member of the Lyceum group which became the Sawyer Library.



Donated by Hitchcock,Helen Sargent(Mrs.Ripley) in 1956

oid0052
oid0053: View of the Town of Gloucester, Mass. Lithograph by Fitz Hugh Lane.  Pendleton Lithography, Boston.  1836
View of the Town of Gloucester, Mass.
Lithograph on paper
by Lane, Fitz Henry (1804-1865) in 1836
Creator

Lane was a contemporary of the Houghs and a member of the Lyceum group which became the Sawyer Library.



Lithograph printed by Pendleton Lithography. One of a series done between 1836-1847.



Donated by Misses Hough in 1928

oid0053
oid0059: Dixwell, Dr. John, portrait of (1777-1834)    1/2 length
Dixwell, Dr. John (1777-1834)
first cousin's (once removed) husband
oil on canvas
by Frothingham, James (1786-1864) in circa 1817
Creator

is noted for his beautifully detailed faces. An example are the lovely highlights and shadows of Henrietta Sargent portrait.



Subject

A physician who practiced in Boston. He married Esther Sargent in 1805.



Married Esther Sargent in 1805,



Donated by Dargel, Dorothy Owen through Sargent Bradlee in 1961

oid0059
oid0060: Lucy Sargent Turner (1773-1853) painted by Joseph Greenleaf Cole (1803-1858) painted mid 1800s - oil on canvas
Turner, Lucy Sargent (1773-1853)
niece, via Lucy Sanders & Paul Dudley Sargent
by Cole, Joseph Greenleaf (1803-1858) in mid 1800s

Subject

was often visited by Judith in Boston.



Donated by Mary Saxton Turner, a granddaughter of the sitter. in circa 1930

oid0060
oid0061: Portrait of Benjamin Kent Hough, Sr. (1766-1855).
Hough, Benjamin Kent Sr (1766-1855)
oil on canvas
by Fenton, Charles (1808-1877) in circa 1840

Subject

As a young man, he was placed in the Gloucester store of merchant David Plumer to learn the ins and outs of the mercantile business; shortly thereafter Hough moved to the counting-rooms of Winthrop Sargent, Judith's father, who was engaged in trade with the West Indies. Hough remained in the employment of Sargent until he struck out on his own in about 1790. He bought the house in 1801 from Gilman's widow. He was married on January 12, 1791 to Elizabeth Plumer, the daughter of David Plumer, who had instructed young Hough in the ways of business. The marriage was performed by Reverend John Murray. Elizabeth died five years later at the age of thirty, childless, and Hough remarried in 1801 to Lucy Sayward Foster, the widow of Colonel Thomas Foster. He served as an Officer of the Gloucester Bank for 35 years and as its President for 5. He was the Treasurer of the Church for 40 years and a founder of the Gloucester Lyceum.



Possibly modeled from a daguerrotype



Donated by Hough,Benjamin K. , V in 1992

oid0061
oid0062: Portrait of Esther Sargent Dixwell (1776-1855); charcoal and pastel(preliminary sketch) done when artist painted her husband?
Dixwell, Esther Sargent (1776-1855)
first cousin once removed, via Epes & Dorcas Sargent
Pastel & pencil on paper
by Frothingham, James (1786-1864) (attributed to) in Circa 1817

Subject

A daughter of Judith's 1st cousin, Epes Sargent, and Dorcas Babson Sargent. Her sister was Henrietta.



This drawing may have done when Frothingham painted her husband in 1817, when she was 41.



Donated by Esther Dixwell Brewer Steinmetz in 1956

oid0062
oid0241: Foot Bath.  Wedgewood creamware.
Foot Bath
ceramic, Creamware
by an unknown creator in circa 1800

Creamware Footbath: Creamware was before Pearlware



Donated by Unknown in Unknown

oid0241
oid0306: Wine Decanter.  Frosted, cut and gilt decoration.
decanter
Blown glass
by an unknown creator in circa 1800

WIne decanter with gilt decoration.



Donated by Hough, Misses in 1928

oid0306
oid0437: Long Handled Pot
Long Handled Pot
by an unknown creator in unknown year

Unknown donor and donation date

oid0437
oid0501: Sideboard.  Hepplewhite or Federal;square tapering legs; line and cuff inlay; case of two long drawers. Brass gallery at rear is later addition
sideboard
Mahogany, Hepplewhite
by an unknown creator in 1805

Donated by Hough, Misses in 1928

oid0501
oid0502: Drop-Leaf Table.  Chippendale.  Fluted square legs; rectangular skirt and top.  "N. Sawyer: inscribed underneath.
table
Mahogany (with pine & chestnut), Chippendale
by an unknown creator in circa 1760

Donated by Knowles, Alice H.; donation date unknown

oid0502
oid0503: Side Chairs (6), Chippendale.  Needlework slip seats. Frontal cabriole legs; spade feet; pierced, vase-shaped splat and bow-shaped cresting rail with carved ears.
chair
Walnut & maple, Chippendale
by an unknown creator in circa 1760

This Boston design represents a transition from Queen Anne to Chippendale. Two front cabriole legs terminate in pad feet. Pierced vasiform splat (chair back) surmounted by a bowed-shaped cresting rail with carved ears.



Donated by Hough, Misses. in 1928

oid0503
oid0510: Wing Chair; Chippendale.  Frontal cabriole legs, ball & claw feet, square seat frame, bow shaped cresting rail.
chair
Mahogany, Chippendale
by an unknown creator in circa 1760

Benjamin K Hough, Sr was original owner of chair. Front cabriole legs, ball and claw feet, square seat frame, bow shaped cresting rail.



Donated by Hough, Misses in 1928

oid0510
oid0511: Table, Tilt Top Tripod*   Chippendale.  Mahogany, 3 cabriole legs with leaf carved knees terminating in ball & claw feet, 36"diameter top
tea table
Crotch Mahogany, Chippendale
by an unknown creator in circa 1760

The top of this Tilt-top Tea Table is cut from a single piece of wood. The base of column cracked, but was stabilized in 2017. The table with pedestal is supported by 3 outcurved legs, with top hinged to tilt to the perpendicular.



Donated by A. H. Knowles (Plumer family) in 1955

oid0511
oid0515_A_F: Chippendale Side Chairs (6).  Square frontal legs; square seat frame; upholstered slip- seats; carved & pierced back splat with carved cresting rail.
chair
mahogany, Chippendale
by an unknown creator in 1760

Donated by Sargent, Mrs. Winthrop - Mrs. Fitz Sargent in 1941 Inventory in Unknown - in 1941 inventory

oid0515_A_F
oid0515_C: Chippendale Side Chair: (1 of 6)

by an unknown creator in 1760

Donated by see above in in 1941 inventory

oid0515_C
oid0520: Candle stand.  Oval Tilt top with three cabriole legs terminating in spade feet, supporting a vasiform baluster.
Table
Mahogany with inlay, Federal
by an unknown creator in circa 1790

Described by Albert Sack as "an exceptional piece of furniture, an example of outstanding individual creations of American Craftsmanship." Note the fine inlay on the spade feet.



Donated by Unknown in Unknown

oid0520
oid0521: Desk.  Fall front.  Two frontal bracket feet enclosing a shaped skirt supporting a case of 4 graduated drawers. Ornamental brasses. Base is possibly a replacement.
Desk
Maple
by an unknown creator in circa 1790 (more recent base?)

Donated by Hough, Misses in 1928

oid0521
oid0529: GateLeg Table - Jacobean. American Maple. Pear shaped turnings, 8 turned legs terminating in ball feet. 2 leaves with swinging legs as gates
Table
American maple, Jacobean
by an unknown creator in 1700

This table has replacement top and feet. Sargent family donation



Donated by Winthrop Sargent in 1941

oid0529
oid0536: Table. Tilting piecrust tripod table with bird cage mount and pad feet, vasiform baluster
Candlestand or Tea Table
mahogany
by an unknown creator in late 1700s

Pie crust top, tip and turn, with birdcage mount, and pad feet. This piece is considered to be among examples of exceptional pieces of furniture that are outstanding individual creations of American craftsmanship. Piecrust: Circular top with raised carved rim. Birdcage: double block construction by which a tilt top table may both tilt and rotate. Pad feet: plain slightly curved foot that terminates the cabriole leg. Vasiform baluster: resembles a vase



Donated by Winthrop Sargent in in house in 1941

oid0536
oid0538: Lowboy; Queen Anne.  Walnut with Pine secondary, Cabriole legs, pad feet, broken arch pediment with fan carved panel,scalloped apron with 2 flamed carved finials, three drawers. Matches highboy in House.
lowboy
Walnut and pine, Queen Anne
by an unknown creator in 1740-1760

cabriole legs, pad feet, broken arch pediment (top) with central flame carved finial; matches the highboy



Donated by Burnham, Charles - check Burnham connection to House in 1920's, circa

oid0538
oid0539: Highboy; Queen Anne.  (Two sections) Walnut with secondary pine, Cabriole legs, pad feet, central flame carved panel, broken arch pediment with central flame carved finials.
highboy
Walnut and pine, Queen Anne
by an unknown creator in 1740 or 1760

cabriole legs, broken arch pediment with central flame carved panel, arched skirt with flame finials; Repairs made and finial is not original.



Donated by Perkins,Clara (Mrs.George H.) in 1926 or 1927

oid0539
oid0540: Drop Leaf Table (Queen Anne).  Cabriole legs, pad feet, serpentine scroll skirt, rectangular top, two drop leaves.
table
Mahogany with pine secondary and maple stringing, Queen Anne
by an unknown creator in 1740

Mahogany with pine and maple secondary. Cabriole legs, pad feet, serpentine scroll skirt



Donated by Hough, Misses in 1928

oid0540
oid0541: Chest of Drawers.  Chippendale. Reverse serpentine chest with two frontal cabriole legs terminating in claw & ball feet. Original brasses.
chest
Mahogany; pine secondary; brass pulls., Chippendale
by an unknown creator in circa 1760

reverse serpentine front,with 2 frontal cabriole legs terminating in ball and claw feet; possibly made in Newburyport.



Donated by Burnham, Charles in 1930s

oid0541
oid0542: Mirror; Queen Anne (two part)
Mirror
Walnut with pine secondary & walnut veneer, Queen Anne
by an unknown creator in circa 1740

The looking glass is in two parts because a single piece was unavailable at that time.



Donated by Kidder, Alice V. in 1947 (bequest) Pearce?

oid0542
oid0543_A_C: Side Chairs; Chippendale.  Upholstered slip seats, frontal cabriole legs, ball & claw feet, stylized acanthus leaves & star punch work at knees. Very Fine Chairs
Chair
Mahogany, Chippendale
by Boston in circa 1770

These chairs and the 6 in the best parlor are described as Boston Chippendale. Both sets are considered very fine chairs. Originally owned by Abraham Sawyer, an early supporter of John Murray. Sawyers portrait hangs in the Murray room.



Donated by Knowles, Alice H. in 1959 (bequest)

oid0543_A_C
oid0545: Easy Chair.   Queen Anne. Frontal cabriole legs; pad feet; square seat; scrolled arms & wings; bow shaped cresting rail. Reupholstered 1975.
chair
walnut, Queen Anne
by an unknown creator in circa 1740

Original to house. re-upholstered in 1975, but not correctly: wings are scant and do not copy original form; edge roll of seat platform is too thick; chair loses sense of flowing forms that original most likely would have had.



Donated by Stacy, Mrs. George O. in 1948

oid0545
oid0549: Mirror.  Bilbao type wall mirror(after the Spanish port on the Bay of Biscay)
Mirror
travertine, wood & gilt
by an unknown creator in circa 1800

Bilbao mirror: Called Bilbao after the Spanish port on the Bay of Biscay. Gloucester merchants carried on an extensive trade with the port for many, many years.



Donated by Hough, Misses in 1928

oid0549
oid0551: Bed.  French Empire style. Belonged to Governor Winthrop Sargent; made for his home "Gloucester" in Natchez.
Bed
Mahogany with brass inlay, French Empire
by an unknown creator in 1800-1820

part of the group of furniture belonging to Winthrop Sargent from his home, "Gloucester", in Natchez MS. Carvings include a Surveyors emblem; Sargent was a Surveyor.



Donated by Longcope, Janet Percy Dana in 1946

oid0551
oid0553: Chest of Drawers.  Hepplewhite bow-front chest. Two frontal inlaid French feet. Four graduated drawers. Original brasses.
Chest
Mahogany & veneer with inlay, Hepplewhite
by an unknown creator in circa 1790

Bow-front with 2 frontal inlaid French feet. Original brasses. A fine piece in remarkably untouched condition. (beaded top of drawer sides)



Donated by Unknown in Unknown

oid0553
oid0554: Bench.  Jacobean carved with thistle motif.Six carved and scrolled legs. Caned seat.Brought from a Scottish castle prior to the Revolution.
Bench
Walnut, Jacobean
by an unknown creator in circa 1700

carved with thistle motif; Six carved and scrolled legs; Replacement caned seat. Brought from a Scottish castle to Gloucester prior to the Revolution. Likely to have been built as a Settle with arms and high chair backs. Belonged to Colonel William Pearce



Donated by Kidder, Alice V. in 1946

oid0554
oid0555_A_B: Side Chairs(2); Hepplewhite. Cherry.  Ribbon backs. Slip seats, Frontal square tapered legs, carved and pierced urn shaped splat.
chair
Cherry (primary), Hepplewhite
by an unknown creator in circa 1790

Originally owned by Col. Pearce whose portrait hangs in the Murray Room. Col. Pearce donated his farm to the Universalist Church for their church site. Epes Sargent donated another piece of land for the church.



Donated by Sargent,Winthrop in 1947

oid0555_A_B
oid0557: Traveling Set.  Gentleman's Dressing Box.   Black painted dressing box fitted with steel and Sheffield silver accoutrements.
Dressing Box
Wood painted black
by an unknown creator in early 1800s

fitted with steel and Sheffield silver accoutrements



Donated by Unknown in Unknown

oid0557
oid0563: Table.  Square tapered legs; straight apron; single drawer.
Table
Cherry
by an unknown creator in circa 1790

Not Judith's real writing desk.



Donated by Burnham, Charles in Unknown

oid0563
oid0565: Cradle.  Hooded
Cradle
Mahogany with pine
by an unknown creator in circa 1800

Donated by Unknown in Unknown

oid0565
oid0582: Table.  Sheraton drop leaf with four heavily turned and rope carved legs supporting a straight skirt & rectangular top. Two drop leaves.
table
Birch, Sheraton
by an unknown creator in circa 1825

Drop leaf table with four heavily turned and rope carved legs.



Donated by Sargent, Winthrop (1853-1932) in unknown

oid0582
oid0585: Chair.  Chippendale Side Chair with slip seat.
Chair
Cherry, Chippendale
by ; American in circa 1790

Donated by Gilman family in 1920

oid0585
oid0601: Four Poster Bed. Boston or Salem
Bed
by an unknown creator in 1800-1850

Belonged to the Kimball Family in Ipswich MA and Gloucester.



Donated by Kimball family in 2003

oid0601
oid0711: Bedspread.  Candlewick type woven and tufted with star and pine tree motif. Tradition holds spread was made by Lucy Foster Rogers who lived in the House.
Bedspread
by Rogers, Lucy Foster (attributed to) in circa 1812

Candlewick type woven and tufted with star and pine tree motif. Tradition holds spread was made by Lucy Foster Rogers who lived in the House using flax which was captured on an English ship during the War of 1812 by on of Samuel Rogers’ privateers.



Donated by Hitchcock,Mrs. Ripley; donation date unknown

oid0711
oid1225: Box.  Fabric lined; wood with decopage-like decoration. Label: "The property of Epes Sargent of Gloucester, July 21, 1779"

by an unknown creator in circa 1779

Bible case with label: The property of Epes Sargent of Gloucester, July 21, 1779



Donated by Brewer, Arthur in 1956

oid1225
oid2010: The Gleaner - Vol II, Mary Sargent's copy
The Gleaner - Vol II
by Murray, Judith Sargent (1751-1820) in 1978

Mary Sargent's copy. Judith's copy is also in the collection.



Unknown donor and donation date

oid2010